{"id":53,"date":"2026-01-06T06:12:03","date_gmt":"2026-01-06T06:12:03","guid":{"rendered":"https:\/\/gazettesherald.co.uk\/?p=53"},"modified":"2026-01-06T06:12:03","modified_gmt":"2026-01-06T06:12:03","slug":"soleas-the-soul-of-flamenco-explained","status":"publish","type":"post","link":"https:\/\/gazettesherald.co.uk\/?p=53","title":{"rendered":"Sole\u00e1s: The Soul of Flamenco Explained"},"content":{"rendered":"

I remember the first time a sole\u00e1 truly stopped me in my tracks. It wasn’t in a grand theatre, but in a small, smoky\u00a0pe\u00f1a\u00a0in Seville. The chatter faded, and a singer, a woman with a face etched with lines that spoke of life lived deeply, took a breath that seemed to pull the air from the room. What followed wasn’t just a song; it was a raw, unfiltered eruption of emotion. It was sorrow, but not despair. It was pride, resilience, and a profound beauty that ached. I didn’t understand the Andalusian Spanish lyrics then, but I felt their meaning in my bones. That is the power of sole\u00e1. It doesn’t just speak to you; it bypasses the intellect and speaks directly to the soul. If you’ve ever been curious about flamenco’s deep heart, let me guide you into the world of sole\u00e1, the style many consider to be its very foundation.<\/p>\n

What is Sole\u00e1? The Soul of Flamenco<\/strong><\/h2>\n

Let’s start simply. Sole\u00e1 (pronounced so-leh-AH, and often called\u00a0Soleares\u00a0in its plural form) is not just a song or a dance. It is one of the most important fundamental forms, or\u00a0palos, of flamenco. Think of flamenco as a vast, intricate language. If that language had a core dialect, a way of speaking that held its most essential grammar and vocabulary, that would be sole\u00e1. It is often categorized under\u00a0Cante Jondo\u00a0or “deep song,” which refers to the most serious, profound, and emotionally weighty styles of flamenco.<\/p>\n

The word itself is believed to come from\u00a0soledad, the Spanish word for “solitude” or “loneliness.” And that gives you the first clue to its character. Sole\u00e1 is an exploration of deep, often melancholic themes. But calling it simply “sad” is a massive oversimplification. It is a complex portrait of the human condition. It expresses loneliness, yes, but also longing, loss, existential reflection, stoic endurance, and even a defiant joy in survival. It is the sound of looking into the abyss, then turning that gaze into something breathtakingly beautiful.<\/p>\n

The Deep Roots: History and Origin of Sole\u00e1<\/strong><\/h2>\n

Pinpointing the exact birth of any folk art is tricky, but most historians agree that sole\u00e1 crystallized<\/a> as a distinct form in the 19th century in the region of Andalusia in southern Spain. Its roots are a beautiful, tangled tree growing from many seeds. It draws from the older, more rhythmic\u00a0ca\u00f1as\u00a0and\u00a0polos, and it carries within it echoes of the rich cultural mosaic of Andalusia. You can hear influences from ancient Andalusian folk songs, Sephardic Jewish laments, and even the Moorish call to prayer in its melodic contours. It’s believed to have emerged strongly in the Triana district of Seville, Jerez de la Frontera, and C\u00e1diz.<\/p>\n

It was in the\u00a0caf\u00e9s cantantes\u00a0(singing cafes) of the 1800s that sole\u00e1 began to take its modern shape, moving from a largely private, family-based expression to a more formalized art on stage. This period saw the rise of legendary singers, or\u00a0cantaores, who defined the style. Their names, like El Fillo, La Andonda, and later, the monumental Tom\u00e1s “El Nitri,” are whispered with reverence. They were the architects of the sole\u00e1 we recognize today.<\/p>\n

The Architecture of Emotion: Sole\u00e1 Comp\u00e1s Explained<\/strong><\/h2>\n

This is where many beginners get intimidated, but stay with me. The magic of sole\u00e1 is held within its rhythmic structure, called the\u00a0comp\u00e1s. Every flamenco style has its own unique comp\u00e1s, a recurring cycle of accents that is the heartbeat of the performance. Sole\u00e1’s comp\u00e1s is a 12-beat cycle, but it’s not counted like a waltz (1-2-3). The accents fall in a very specific, syncopated pattern that gives it its distinctive swaying, yet driving, feel.<\/p>\n

Here’s the simplest way I learned to feel it, not just count it. Tap your hand on a table in a steady pulse:
\n1 – 2 – [3] – 4 – 5 – [6] – [7] – 8 – [9] – 10 – [11] – 12.<\/strong><\/p>\n

The beats in brackets ([3], [6], [8], [10], [12]) are where the strong accents\u00a0typically\u00a0fall, especially beats 3, 6, 8, 10, and 12. Beat 12 is a particularly strong downbeat, like a sigh or a punctuation mark. The guitar builds tension and release around this cycle, the singer phrases across it, and the dancer’s footwork (zapateado) creates breathtaking percussive dialogues with it. Understanding this comp\u00e1s is the key to unlocking why sole\u00e1 feels the way it does. It’s not a straight line; it’s a spiraling, emotional journey that comes back to its start, ready to build again.<\/p>\n

More Than Just Music: The Three Forms of Sole\u00e1<\/strong><\/h2>\n

Sole\u00e1 is a trinity. It exists in three interconnected forms: singing (cante), guitar (toque), and dance (baile). You can have a performance with just one, but they are most powerful when in conversation.<\/p>\n

Cante: The Voice of Sole\u00e1<\/strong>
\nThe singing is the undisputed center. A\u00a0cantaor\u00a0or\u00a0cantaora\u00a0singing sole\u00e1 is undertaking a monumental task. The voice is often raw, gritty, and strained, not for lack of technique, but as an aesthetic choice to convey depth. Melodies weave around the guitar, often starting with a long, drawn-out “Ay…” that sets the emotional tone. The lyrics are poetic, symbolic, and deeply personal. They might speak of a mother’s pain, a lover’s betrayal, or philosophical questions about life and death. The singer must not only have vocal power but also a profound understanding of\u00a0duende\u2014that elusive spirit of emotional authenticity that gives you chills.<\/p>\n

Toque: The Guitar of Sole\u00e1<\/strong>
\nThe flamenco guitarist provides the harmonic and rhythmic foundation. Sole\u00e1 is traditionally played in the Phrygian mode (centered around E, with frequent use of F natural), giving it that instantly recognizable “Spanish” sound that feels both ancient and haunting. The guitarist plays the\u00a0comp\u00e1s, but also improvises melodic passages called\u00a0falsetas\u00a0between the singer’s lines. These falsetas are not just pretty tunes; they are emotional commentaries, answering the singer’s cry or setting up the next verse. Great sole\u00e1 guitarists like Paco de Luc\u00eda, Manolo Sanl\u00facar, and Ni\u00f1o Ricardo didn’t just play notes; they painted soundscapes of darkness and light.<\/p>\n

Baile: The Dance of Sole\u00e1<\/strong>
\nThe dance of sole\u00e1 is considered one of the most serious and majestic forms for a female dancer (bailaora). It is not flashy or frantic. It is an internalized<\/a>, powerful expression. The posture is proud, the arms move with a sculptural grace, and the focus is often inward. The footwork is complex and percussive, but it serves the emotion, not just showcases skill. A sole\u00e1 dance is a study in controlled power and deep dignity. It\u2019s a visual representation of bearing a great weight with grace.<\/p>\n

Feeling the Sole\u00e1: Common Themes and Lyrics<\/strong><\/h2>\n

To listen to sole\u00e1 is to step into a world of poetic imagery. The lyrics are rarely literal narratives. They use metaphor, nature, and religious allusion. You’ll hear about the “dark wells of the eyes,” the “bitter lemon” of fate, pleas to the Virgin Mary, and reflections on the “black horses” of time. A classic example, often attributed to singer Antonio Chac\u00f3n, translates roughly to: “My heart is a dark well \/ Deep and cold, what a pity \/ Where all the sorrows of the world \/ Have come to fall.” It’s not a cheerful sentiment, but when sung with conviction, it becomes a shared catharsis, a beautiful acknowledgment of universal pain.<\/p>\n

How to Start Listening to Sole\u00e1: Key Artists and Recordings<\/strong><\/h2>\n

Don’t start with a dusty, archival recording from 1920. Ease your way in. For a masterclass in modern cante, find the album “La Leyenda del Tiempo” by Camar\u00f3n de la Isla, which revolutionized flamenco but is rooted in forms like sole\u00e1. For pure, traditional power, listen to\u00a0Enrique Morente<\/strong>, especially his earlier work. For guitar,\u00a0Paco de Luc\u00eda’s<\/strong>\u00a0album “Fuente y Caudal” has incredible sole\u00e1 guitar work. For dance, watch videos of\u00a0Carmen Amaya<\/strong>\u00a0(a historic figure of fierce power) or contemporary masters like\u00a0Eva La Yerbabuena<\/strong>, whose sole\u00e1 is a masterclass in subtle intensity.<\/p>\n

Sole\u00e1 vs. Other Palos: Finding Its Family<\/strong><\/h2>\n

Sole\u00e1 is the matriarch of a whole family of styles. Its closest relative is\u00a0Seguiriya<\/strong>, which is even darker and more austere, with a different 12-beat comp\u00e1s (accents on 1, 3, 5, 8, and 11).\u00a0Alegr\u00edas<\/strong>\u00a0is like its sunnier cousin; it shares the same 12-beat rhythmic structure but is faster, in a major key, and full of festive energy. Think of Sole\u00e1 as the deep, introspective night and Alegr\u00edas as the bright, celebratory morning that follows. Other\u00a0palos\u00a0like\u00a0Buler\u00edas<\/strong>\u00a0evolved from Sole\u00e1, taking that comp\u00e1s and speeding it up into a frenetic, playful, and complex frenzy.<\/p>\n

Conclusion<\/strong><\/h2>\n

Sole\u00e1 is not entertainment in the casual sense. It is an offering, a ritual of shared humanity. It asks for your attention and your emotional investment. In a world that often feels shallow and fast, sitting with a sole\u00e1 is a radical act of slowing down and listening to the depths. It teaches us that pain, when transformed through art, can be the source of immense beauty and connection. You don’t need to be from Andalusia to understand it. You just need to have lived, to have felt joy and sorrow. The next time you search for music that has weight, that has history and soul, seek out a sole\u00e1. Let that first, mournful “Ay…” wash over you. You might just find, as I did, that it speaks a language your heart has always known.<\/p>\n

FAQ Section<\/strong><\/h2>\n

Q: How do you pronounce “Sole\u00e1”?<\/strong>
\nA: It’s pronounced so-leh-AH. The accent on the final ‘\u00e1’ means you put the stress on that last syllable.<\/p>\n

Q: Is Sole\u00e1 always sad?<\/strong>
\nA: While its primary emotional landscape is profound and often melancholic, it’s more accurate to call it deeply emotional. It conveys dignity, resilience, and catharsis, which can be powerfully uplifting to experience.<\/p>\n

Q: Can men dance Sole\u00e1?<\/strong>
\nA: Traditionally, sole\u00e1 is most commonly associated with female dancers due to its particular aesthetic of internalized power and grace. However, men certainly do dance it, bringing a different but equally valid interpretation of strength and composure. Flamenco is increasingly breaking from strict gender roles.<\/p>\n

Q: What is the best way for a beginner to learn the Sole\u00e1 comp\u00e1s?<\/strong>
\nA: Start by listening! Find a simple sole\u00e1 guitar recording and just try to clap on beats 3, 6, 8, 10, and 12. Don’t worry about getting it perfect at first. The goal is to internalize the\u00a0feel\u00a0of that lopsided, swaying rhythm. There are also many excellent slow-tempo tutorials on YouTube.<\/p>\n

Q: Who is considered the greatest Sole\u00e1 singer of all time?<\/strong>
\nA: This is highly debated among aficionados, which is part of the fun! Historical names like\u00a0Tom\u00e1s “El Nitri”<\/strong>\u00a0and\u00a0Antonio Chac\u00f3n<\/strong>\u00a0are foundational. In the 20th century,\u00a0Antonio Mairena<\/strong>\u00a0is a colossal figure who dedicated his life to preserving and systematizing “deep song” like sole\u00e1. More recently,\u00a0Enrique Morente<\/strong>\u00a0and\u00a0Camar\u00f3n de la Isla<\/strong>\u00a0are revered as revolutionary geniuses who carried the form into the modern era.<\/p>\n","protected":false},"excerpt":{"rendered":"

I remember the first time a sole\u00e1 truly stopped me in my tracks. It wasn’t in a grand theatre, but in a small, smoky\u00a0pe\u00f1a\u00a0in Seville. The chatter faded, and a singer, a woman with a face etched with lines that spoke of life lived deeply, took a breath that seemed to pull the air from […]<\/p>\n","protected":false},"author":1,"featured_media":54,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[17],"class_list":["post-53","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-soleas"],"yoast_head":"\nSole\u00e1s: The Soul of Flamenco Explained - Gazette Sherald<\/title>\n<meta name=\"description\" content=\"I remember the first time a sole\u00e1 truly stopped me in my tracks. It wasn't in a grand theatre, but in a small, smoky\u00a0pe\u00f1a\u00a0\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gazettesherald.co.uk\/?p=53\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sole\u00e1s: The Soul of Flamenco Explained - Gazette Sherald\" \/>\n<meta property=\"og:description\" content=\"I remember the first time a sole\u00e1 truly stopped me in my tracks. It wasn't in a grand theatre, but in a small, smoky\u00a0pe\u00f1a\u00a0\" \/>\n<meta property=\"og:url\" content=\"https:\/\/gazettesherald.co.uk\/?p=53\" \/>\n<meta property=\"og:site_name\" content=\"Gazette Sherald\" \/>\n<meta property=\"article:published_time\" content=\"2026-01-06T06:12:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/gazettesherald.co.uk\/wp-content\/uploads\/2026\/01\/Howatts-12.png\" \/>\n\t<meta property=\"og:image:width\" content=\"840\" \/>\n\t<meta property=\"og:image:height\" content=\"470\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"9 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/gazettesherald.co.uk\/?p=53\",\"url\":\"https:\/\/gazettesherald.co.uk\/?p=53\",\"name\":\"Sole\u00e1s: The Soul of Flamenco Explained - Gazette Sherald\",\"isPartOf\":{\"@id\":\"https:\/\/gazettesherald.co.uk\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/gazettesherald.co.uk\/?p=53#primaryimage\"},\"image\":{\"@id\":\"https:\/\/gazettesherald.co.uk\/?p=53#primaryimage\"},\"thumbnailUrl\":\"https:\/\/gazettesherald.co.uk\/wp-content\/uploads\/2026\/01\/Howatts-12.png\",\"datePublished\":\"2026-01-06T06:12:03+00:00\",\"author\":{\"@id\":\"https:\/\/gazettesherald.co.uk\/#\/schema\/person\/fdb634fb22d70498013f48eff59b4a75\"},\"description\":\"I remember the first time a sole\u00e1 truly stopped me in my tracks. It wasn't in a grand theatre, but in a small, smoky\u00a0pe\u00f1a\u00a0\",\"breadcrumb\":{\"@id\":\"https:\/\/gazettesherald.co.uk\/?p=53#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/gazettesherald.co.uk\/?p=53\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/gazettesherald.co.uk\/?p=53#primaryimage\",\"url\":\"https:\/\/gazettesherald.co.uk\/wp-content\/uploads\/2026\/01\/Howatts-12.png\",\"contentUrl\":\"https:\/\/gazettesherald.co.uk\/wp-content\/uploads\/2026\/01\/Howatts-12.png\",\"width\":840,\"height\":470,\"caption\":\"sole\u00e1s\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/gazettesherald.co.uk\/?p=53#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/gazettesherald.co.uk\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sole\u00e1s: The Soul of Flamenco Explained\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/gazettesherald.co.uk\/#website\",\"url\":\"https:\/\/gazettesherald.co.uk\/\",\"name\":\"Gazette Sherald\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/gazettesherald.co.uk\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/gazettesherald.co.uk\/#\/schema\/person\/fdb634fb22d70498013f48eff59b4a75\",\"name\":\"admin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/gazettesherald.co.uk\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/26297c77ed4187ac384c1525bfd56e1f2754ab3cb03b6933486cd131f104711c?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/26297c77ed4187ac384c1525bfd56e1f2754ab3cb03b6933486cd131f104711c?s=96&d=mm&r=g\",\"caption\":\"admin\"},\"sameAs\":[\"http:\/\/gazettesherald.co.uk\"],\"url\":\"https:\/\/gazettesherald.co.uk\/?author=1\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Sole\u00e1s: The Soul of Flamenco Explained - Gazette Sherald","description":"I remember the first time a sole\u00e1 truly stopped me in my tracks. It wasn't in a grand theatre, but in a small, smoky\u00a0pe\u00f1a\u00a0","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/gazettesherald.co.uk\/?p=53","og_locale":"en_US","og_type":"article","og_title":"Sole\u00e1s: The Soul of Flamenco Explained - Gazette Sherald","og_description":"I remember the first time a sole\u00e1 truly stopped me in my tracks. It wasn't in a grand theatre, but in a small, smoky\u00a0pe\u00f1a\u00a0","og_url":"https:\/\/gazettesherald.co.uk\/?p=53","og_site_name":"Gazette Sherald","article_published_time":"2026-01-06T06:12:03+00:00","og_image":[{"width":840,"height":470,"url":"https:\/\/gazettesherald.co.uk\/wp-content\/uploads\/2026\/01\/Howatts-12.png","type":"image\/png"}],"author":"admin","twitter_card":"summary_large_image","twitter_misc":{"Written by":"admin","Est. reading time":"9 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/gazettesherald.co.uk\/?p=53","url":"https:\/\/gazettesherald.co.uk\/?p=53","name":"Sole\u00e1s: The Soul of Flamenco Explained - Gazette Sherald","isPartOf":{"@id":"https:\/\/gazettesherald.co.uk\/#website"},"primaryImageOfPage":{"@id":"https:\/\/gazettesherald.co.uk\/?p=53#primaryimage"},"image":{"@id":"https:\/\/gazettesherald.co.uk\/?p=53#primaryimage"},"thumbnailUrl":"https:\/\/gazettesherald.co.uk\/wp-content\/uploads\/2026\/01\/Howatts-12.png","datePublished":"2026-01-06T06:12:03+00:00","author":{"@id":"https:\/\/gazettesherald.co.uk\/#\/schema\/person\/fdb634fb22d70498013f48eff59b4a75"},"description":"I remember the first time a sole\u00e1 truly stopped me in my tracks. It wasn't in a grand theatre, but in a small, smoky\u00a0pe\u00f1a\u00a0","breadcrumb":{"@id":"https:\/\/gazettesherald.co.uk\/?p=53#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/gazettesherald.co.uk\/?p=53"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/gazettesherald.co.uk\/?p=53#primaryimage","url":"https:\/\/gazettesherald.co.uk\/wp-content\/uploads\/2026\/01\/Howatts-12.png","contentUrl":"https:\/\/gazettesherald.co.uk\/wp-content\/uploads\/2026\/01\/Howatts-12.png","width":840,"height":470,"caption":"sole\u00e1s"},{"@type":"BreadcrumbList","@id":"https:\/\/gazettesherald.co.uk\/?p=53#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/gazettesherald.co.uk\/"},{"@type":"ListItem","position":2,"name":"Sole\u00e1s: The Soul of Flamenco Explained"}]},{"@type":"WebSite","@id":"https:\/\/gazettesherald.co.uk\/#website","url":"https:\/\/gazettesherald.co.uk\/","name":"Gazette Sherald","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/gazettesherald.co.uk\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/gazettesherald.co.uk\/#\/schema\/person\/fdb634fb22d70498013f48eff59b4a75","name":"admin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/gazettesherald.co.uk\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/26297c77ed4187ac384c1525bfd56e1f2754ab3cb03b6933486cd131f104711c?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/26297c77ed4187ac384c1525bfd56e1f2754ab3cb03b6933486cd131f104711c?s=96&d=mm&r=g","caption":"admin"},"sameAs":["http:\/\/gazettesherald.co.uk"],"url":"https:\/\/gazettesherald.co.uk\/?author=1"}]}},"_links":{"self":[{"href":"https:\/\/gazettesherald.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/53","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gazettesherald.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gazettesherald.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gazettesherald.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gazettesherald.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=53"}],"version-history":[{"count":1,"href":"https:\/\/gazettesherald.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/53\/revisions"}],"predecessor-version":[{"id":55,"href":"https:\/\/gazettesherald.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/53\/revisions\/55"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gazettesherald.co.uk\/index.php?rest_route=\/wp\/v2\/media\/54"}],"wp:attachment":[{"href":"https:\/\/gazettesherald.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=53"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gazettesherald.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=53"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gazettesherald.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=53"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}